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Primarily, it takes away the possibility of making decisions about ourselves, and self-determination makes us free people. The tribunal’s judgement on abortion law is devastating and condemns women in Poland to suffering on many levels. What is your stance on the government and its proposed ban?

Later, when the logotype reached other countries, it started taking on new details characteristic of other regions and countries.Īn aerial view of people who gather and light up their smartphones or lanterns to form an inscription saying WYBÓR (“choice” in English) along with a lightning bolt.

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Because events have spread across the whole country, our logotype became visible everywhere: on the streets during protests, through the windows in people’s houses.

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Strike leaders shared files to download so that anybody who was attending or making their own event could use our original visuals. Visual language from the first strike, which was held in 2016, was extremely consistent and distinctive. How did you first share it and how did it get picked up? I frequently use these simple forms with a limited color palette in my other works. The lightning bolt represents the power of women and is a warning to the government. My main thought was to create symbol of women’s power without unnecessary face details that could reveal her age or social status. The first poster was of a woman’s profile cut through with lightning bolt. Photo: Artur Widak/NurPhoto via Getty Images. We spoke to Jasionowska about her visual contribution to the movement.Ī photo collage showing portraits of pro-choice activists wearing face masks with red lightning bolts. In the weeks of recent protests, it has been reinterpreted on handmade signs, as tattoos, on face masks, and as tear drops painted on faces. The symbol originated in a poster depicting the silhouette of a female face with the lightning bolt cutting through it. “I use the poster as my basic field of expression,” she says.

She also frequently collaborates with theaters and museums in Poland to help with their visual branding. Jasionowska is an art director at Warsaw City Hall, the headquarters of the Polish capital, and she often works on cultural campaigns for the city. The demonstrations, which began on October 22, are pushing back against a proposed law that would outlaw abortion-even in cases where the fetus shows severe and untreatable birth defects. The illustration is the work of artist, illustrator, and designer Ola Jasionowska, whose simple and remix-able logo. A red lightning bolt has become a powerful symbol of Poland’s feminist movement, which has rocked the country with the largest protests since the fall of the Soviet Union in 1989.

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